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PM: How does LANDR handle throwback genres, when an artist maybe wants a master slammed hot? (Ex.
Basically, the more we throw at LANDR, the better it gets. Our system is built around an adaptive engine that ‘listens’ and reacts to music, using micro-genre detection to make subtle frame-by-frame adjustments, selectively using tools like multi-band compression, EQ, stereo enhancement, limiting and aural excitation based on the unique properties of the song. Its true beauty lies in its ability to learn. JE: (laughs) Well, I can’t tell YOU that! Basically, LANDR is smart and getting smarter. PM: What’s the secret tech sauce? How does LANDR’s algorithm work? Montreal is just an incredibly creative community. I think most of us at LANDR are basically trying to use technology to make being a professional creator easier. My background was making experimental music, so I’ve felt all of the pain points, personally. PM: I ask everyone in music tech – are you a musician/producer? JE: We’re pushing 150,000 users in nearly two hundred countries, in six languages, with 750,000 songs mastered and we’re still growing. PM: How many musicians are using LANDR now? LANDR is the growing manifestation of that technology.
Landr review wavs license#
They developed a body of knowledge that we acquired a license to use. Almost 8 years ago, the Centre for Digital Music at Queen Mary University of London program started working on machine learning and A.I. JE: LANDR is the first product of MixGenius.
Justin Evans: Mastering is the thing that makes your music sound great on every single platform at the same time, whether it’s through headphones, out of a great stereo, or online.
Landr review wavs pro#
Performer: In pro audio it’s really hard to simply explain what the hell “Mastering” is to an artist what is your simple explanation? I chatted with Justin Evans, VP of Product at LANDR by MixGenius, to get some insight into this new music tech solution. I was recently introduced to LANDR which is an online site where musicians and producers can drag and drop their mixed tracks (.wavs) and receive an outputted master, all automatically. But to be taken seriously, to make actual money on licensing, to sound professional, and to treat your art with the finishing touch it deserves, you must bite the bullet, and spend the dough. You simply must do it, every time.īut it’s expensive, it’s confusing, it’s an art, and the mix has a lot to do with the outcome, and blah, blah, blah. As mixing has gotten more affordable, or even accessible to learn, we have one final step to conquer.
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